Monday, April 26, 2010

Venetia Kelly's Traveling Show--Frank Delaney (book review)

Venetia Kelly is a young ventriloquist with charm that draws everyone in. When Ben MacCarthy's father, a stalwart Irish farmer, leaves his home and family to follow her traveling show across Ireland, Ben's mother sends him to find his father and bring him home. Each time he falters or fails, the stakes get higher, and he presses on.

Delaney tells two coming-of-age stories: that of young Ben MacCarthy, and that of Ireland in the 1930s. The text interweaves the threads through a series of fascinating "digressions," as the narrator calls them.

There's so much to like about this book. But, I found myself holding back, disconnected from both the characters and the plot. I blame foreshadowing.

When done well, foreshadowing gives just enough of a taste of what's to come to pull the reader further into the story. Judging from other reviews, Delaney's style had this exact effect on many readers. But it seems I'm a strange bird. I won't read thrillers because of their deliberate disaster-just-around-the-corner.... wait for it! Wait for it! taunting. I would much rather traipse through the protagonist's world alongside him, and later be devastated by a betrayal, than to stay emotionally distant from certain characters or situations because I've been told it will all go wrong soon. Kind of like the author inserting his own little spoilers right into the text.

I did appreciate many things about the book though: Ben's storyteller friend's periodic reinterpretations of the narrative to make it into the stuff of which legends are made; the colorful characters Ben meets on his quest through Ireland; the use of a ventriloquist's dummy as both a character and a political commentator; the narrator's self-deprecating sense of humor. It all adds up to an enjoyable tale with a bit of Irish history thrown in for good measure.

This book was provided for review by TLC Book Tours. The opinions expressed in this post are solely my own and have not been approved or influenced by TLC book tours, the publisher, or the author.

Wednesday, April 21, 2010

The Lunatic, the Lover, and the Poet--Myrlin Hermes (book review)

Behind every work of fiction lies some form of truth. So, what might be the truth behind Shakespeare's tragic play, Hamlet? That's the question that drives The Lunatic, the Lover, and the Poet.

Imagine that Horatio is a regular old sixteenth century bisexual guy who meets a Danish prince and falls in love. Eventually he writes a play inspired by bits and pieces of Hamlet's life, but first, there must be love triangles, misunderstandings, and people disguised as other people--because Shakespeare is all about the love triangles and disguises, after all, and Horatio is Shakespeare. That is, he is the playwright who, at the end of the novel, writes the famous tragic play.

It gets complicated. Myrlin Hermes' novel has been described as a prequel to Hamlet, but it's not quite that simple, because the plot of Hamlet (the play) is not the truth of what happens to Hamlet (the character in the novel). Behind the scenes of Hamlet's story, though, the themes remain the same. The Lunatic, the Lover, and the Poet offers a new twist on those themes, without all that messy blood and poison at the end, and offers readers a chance to reread the play with a new perspective on both the characters, and the author behind them.

This book was provided for review by TLC Book Tours. The opinions expressed in this post are solely my own and have not been approved or influenced by TLC book tours, the publisher, or the author.